Ended

Laura White

The Clever Girl Painter

Apr 30 – Jun 1, 2019

British sculptor Laura White creates three dimensional entanglements of forms in which interactions are paramount.

The Clever Girl Painter brings together sculptural objects made by White to react with and against a long row of wood engraving blocks. The interaction here is physical, aesthetic and personal; the exhibition links two artists, separated by a generation but connected by a family relationship.

The ‘clever girl painter’ referred to in the title is Joan Ellis, Laura White’s grandmother. An artist working in the 1920s and 30s, Joan Ellis attended the School of Leon Underwood in West London where Gertrude Hermes was a fellow student. Hermes remained a lifelong friend of Joan Ellis and both artists were known for their work with woodcut prints.

Laura White recently acquired the entire collection of Ellis' wood engraving blocks, the majority of which were produced over a period of 8 years, 1924 – 32, before Joan Ellis married. After her marriage she never returned to such an intense level of production.

White has a long term interest in the sculptural quality of images. She is drawn to the wood blocks’ materiality, the process and labour of their making apparent in their fragmented appearance, rather than the specific narratives intended for the final prints.

For White, it is the physicality of the wood blocks and how they link to the labour of the artist that is of prime importance – the agency of what artworks are made from and how they are made. This connects to White’s interest in making and showing work that appears to be in transition, changing, becoming something else.

One wall of the gallery is given to the wood blocks presented on a long shelf. Lined up across the space are White’s sculptures. Using a range of materials – ceramics, jesmonite, fabric, leather, steel, wood, expanding foam and dried bread dough – White has built up layers, staked uprights of multiple facades, with depth and material mass. The sculptures sit somewhere between object and material sampling, with every potential to realign into new combinations.