Re:Re:Re:

Genesis Breyer P­Orridge, Bailey Scieszka, Michelle Leftheris, Peter Clough (performing 7pm-8:30pm), Vanessa Albury, Banrei, uv production house (Brad Troemel / Joshua Citarella), Erin Davis, Fana Feng, Quinn Tivey, Max C. Lee, Patrick McNabb, Nick Alciati, Mike Hack, Tiffany Smith, Liz Zito, Ki Hyuk Ahn, a series of readings guest curated by Angelina Dreem (occurring throughout), musical performances guest curated by P O S S Y, featuring QUALIATIK (8:30pm), JUICEBOXX (9:30pm), & MACHINE GIRL (10:15pm)

Erin Davis and Max C Lee are pleased to announce Re: Re Re:, the third iteration of an ever­evolving group exhibition located at 630 Flushing Avenue, Brooklyn, NY, now on the 2nd Floor. Housed within the former cafeteria/men’s locker rooms of the now­defunct Pfizer pharmaceutical factory, Re: Art Show introduces a new structure to the exhibition format, with no set duration, multiple openings, and a dynamic environment. For its third exhibition, a smaller group of artists explore dingy carpets and outmoded bathrooms or the smell of body sweat and processed food. Each room boasts remnants of their past uses for the artist to examine.

Re: Re: Re: visualizes the process of evolving ideas of participating artists by allowing them to change, replace, and develop their works as the show progresses. Set a month apart from the show’s previous opening, Re: Re: Re: showcases works by current participating artists alongside newly­invited artists and a series of performances during the opening.

Re: Art Show intends to redefine what an exhibition is and how it functions. It aims to meet ever­expanding ideas with an ever­expanding exhibition, thereby creating an amoebic hive of creativity, collaboration, and experimentation that travels with the artist through a duration of their creative practice. The exhibitions will allow artists access to the space for extended periods of time, have multiple openings and receptions, and will extend past the ever­common exhibition duration of approximately 4­6 weeks. Consequently, viewers at one opening could have an entirely different experience as viewers at another, possibly without even knowing the one prior existed.