Harris Rosenblum

Sara's and Foreign & Domestic are pleased to present Hybrid Moments, Harris Rosenblum’s third solo exhibition in New York. The exhibition consists of three distinct bodies of works: four new machine-printed paintings in Rosenblum’s Lovers series; a tableau of eleven imps modeled on motion captured poses from Michael Jackson’s Thriller music video; and Infinite Pain, a real-time computer simulation of a nematode worm’s brain subjected to regular pain stimuli.

Harris Rosenblum’s art investigates the spiritual potential of contemporary alienation. He is interested in craft, post-industrial materiality, manufacturing, and the novel intelligence borne by networks. He is a contributor and moderator for Do Not Research, a digitally native community and publishing platform. Rosenblum is a founding partner of Transcendence Creative, the first 360° corporation with a historical materialist approach to brand identity. In the words of Travis Diehl, “[Rosenblum] works in the niche between nerdiness and saintliness, depicting the struggle for belief itself—a squirm-provoking inquiry in today’s ideological climate.” (New York Times, July 13, 2024)

Harris Rosenblum (b.1994, Baltimore, MD; lives and works in New York, NY) received his MFA from Kent State University in Kent, OH. Recent solo exhibitions include Ecstasy, Solar Noon, Cincinnati, OH (2024); Inorganic Demons, Sara’s, New York (2023); Relics of the Corrupted Blood, Blade Study, New York (2022). Recent group exhibitions include Intercession, curated by Audrey Min, Hessel Museum of Art, CCS Bard, NY (2025); Reanimator, curated by Elizaveta Shneyderman and Anthony Discenza, StoveWorks, Chattanooga, TN (2024); Multi-User Dungeon, curated by Simon Denny, Petzel Gallery, New York (2024); rhi-zome, curated by Adrienne Greenblatt, No Gallery, New York (2023). Rosenblum curated the group exhibition Minotaurs at Foreign & Domestic in 2024.