Kalup Linzy

Ltd Los Angeles is proud to present Kalup Linzy: Tangled Up, a solo exhibition of a new video and works on canvas. His first solo exhibition, Fantasies, Melodies and a Dream Called Love, with Ltd Los Angeles opened in 2010.

Tangled Up, which premiered at David Castillo Gallery in February, is an exercise in narrative, where the artist as storyteller weaves fragments of personal and collective memory to inform upon a sweeping, yet localized, account of identity-formation, selfhood and self-fashioning in the current cultural climate. Approaching his subject matter both musically and visually, Tangled Up takes the form of an exhibition and visual album comprised of sixteen audio tracks with accompanying videos, all written, composed and performed by Linzy. The exception being the spiritual “Down by the Riverside,” which the artist performs, calling upon the racial histories of the United States.

His performances, and the visual language he draws upon in both his still and moving image work, borrow from cultural artifacts that are rooted in the tropes of daytime soap operas, reality television, Hollywood drama and situational comedies. Tangled Up itself follows in a narrative structure that points towards the beginning, middle and end of an ambiguous set of events, circumstances; turmoil, uncertainty and resolution of topics—from politics to love to vindication—that suggest the ebb and flow of his life and upbringing.

Linzy’s work draws upon itself; a 15-year practice and a pantheon of nearly thirty personas, many of which the artist performs in drag, that recur throughout a fictional network of interconnected relationships that inform an epic, narrative saga. In exploring the interwoven threads of his characters, Linzy is himself tangled up and embroiled in the politics of performativity; of identity, race, gender and sexuality; and the promise of the United States’ looming social instability. Tangled Up speaks to the overlapping activist platforms of today, which find their roots in the identity politics and AIDS activism of the 1980s. Linzy ultimately exemplifies the multi-hyphenate means through which uncommon representations find their way into common acceptance, evidencing the strides made and the progress yet to happen.

Select solo exhibitions include Sundance Film Festival, Park City, UT; Berkeley Art Museum, Berkeley, CA; Studio Museum in Harlem, New York, NY; and LAX ART, Los Angeles, CA. Select group exhibitions include The Whitney Museum of American Art, New York, NY; The Museum of Modern Art, New York, NY; and MoMA P.S. 1, Long Island City, NY, among others. Linzy’s performances and screenings including the Carpenter Center at Harvard University, Cambridge, MA; The Metropolitan Museum of Art, New York, NY; The Kitchen, New York, NY; The Hammer Museum, Los Angeles, CA, and the Museum of Contemporary Art, San Diego, CA, among many others. He has been honored with awards and grants including The Louis Comfort Tiffany Foundation grant, The John Simon Guggenheim Memorial Foundation Fellowship, The Creative Capital Foundation grant, The Art Matters grant, The Jerome Foundation grant, The Harpo Foundation grant, and The Headlands Alumni Award residency. Linzy’s works are in the permanent collections of The Metropolitan Museum of Art, New York, NY; The Museum of Modern Art, New York, NY; The Whitney Museum of American Art, New York, NY; Studio Museum in Harlem, New York, NY; and The Rubell Family Collection, Miami, FL. Select press includes The New York Times, Artnet News, Artnewspaper, and The Guardian. Kalup Linzy lives and works in Brooklyn, NY and Tampa, FL