Summer Group Show

Heath Moerland

Adrian Rew

Emily Burke

Marc Kokopeli

1) closed hermetic (scripture)

- OR -

2) open hermeneutic (metaphor)

Subconditions:

i. biconditional negation of "For example, the art craft if and only if developed by formal language of artist", (see Origin of the Work of Art)

ii. Not tautology of an incomplete system like a Lewitt functions (Buchloh)

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The figural gesturation of a discrete domain of world from the continuum of the world in magnidutal shifts of scale of the world, an open recording, a painterly alphabet, a readinesstohand related to the stoneness, the soul of a nonsubjectobject, possibly pre-individual.

Systems theory but human subcultural expressionism in the face of automatic multiplicity, the x$ ad beyonce come in hoe mistle toe the the high of a party club drinks prospects and failures exxxtreemme excess but framed as a noise, elevated but not technical, pre today and also today genre domestic encounters of white but paletted words nouns pronouns familiar childhood spaces the ball suspended quick hit keep the racket driver at an angle open face is a problem in my house out of nowhere reference but not modernism, a site selected, positional coherence, and literally, (public space) and also lifstyle probably, like an architectural period not phenomonological but a window, transported to lose its De Saussure

Some closed interpretations I made from this (above) fertile hermeneutic:

Kokopeli: "Earthwork" is dated maybe more Haacke but outsider than institutional and there's the one pastiche with Cologne just like ...

Moerland: A undergrounder playing with Polke inspired collage like discotheque Kippenberger flyers from a regional subculture just like ...

Rew: Influenced by Pauline Oliveros' "deep listening" he creates field recordings of what's experienced as and here rendered "ecstatic in excess" a la Bataille

Burke: A stretch - assuming the comparison to Eggerer is appropriate - domestic/natural landscapes that warp the scale of the daily life's Cartesian axes of interiority (the gridded reveries, decor, no place like home) into, toward, or away from the absurd point of the Ball (a point of absent thought process) to that elsewhere in your being-there, out there like getting a Birdy (one under par) or in your backyard, modularly intaking the neighbor pitching the ball hitting the ball breaking the window.

- OR -

3) fashion (category)