Ended May 28

Chino Amobi

Sextant

Apr 9 – May 28, 2022

More from Chino Amobi on Gallop

Fitzpatrick Gallery is pleased to present the first solo exhibition of Chino Amobi in Paris.

Born to parents of Nigerian descent in the American south (b.1984, Tuscaloosa, Alabama), Chino Amobi bridges the fields of contemporary art, electronic music, literature, film and fashion with experimental ease. Working across these platforms enhances the richness of each medium; indistinguishable, they dissolve together in unity within the exhibition space.

Amobi’s science fiction narrative, Eroica, a thriller in the Epic tradition, situated between history and myth, unfolds as a cinematic Gesamtkunstwerk within an immersive maximalist stage. Written in the style of a cyberpunk genre, with references to historical nonfiction, folklore, and urban fiction, Eroica opens with a missing person’s report detailing a disappearance under unusual circumstances in New Tibet. In light of the evidence, Amobi’s disappearance is alleged to be a case of onticide — an act of de-subjectification. With sections of the book written entirely in Mandarin, Sanskrit and graphic codes, Amobi situates the reader in a time and place beyond the comfort of an accessible Western vantage point.

The pilot for the first volume of Eroica, directed by Nathan de Paz Habib, introduces the audience to the novel. The opening scene is set in a nondescript basement with an investigator receiving a report for a missing person. Through his investigation, he discovers archives that confirm Amobi’s death from onticide. What follows are a series of flashbacks held within an atmosphere of tension and suspense, revealing the protagonist’s journey.

Drawing from his personal experiences and encounters, Amobi’s phantasmagoric portraits and landscapes dissipate onto his nocturnal canvases, hovering over planes of light, technology, nature, and the cosmos. This metamorphosis evolves within a sanctuary where the awakening of new bodily sensations unfolds. Through the myth of Eroica, Amobi reevaluates our ontological relationship with habitable space as a place of cosmogonic immersion; breaking with the subjective isolation of the body and attempting to reconnect to the cosmos through the geography of the intimate.

"In the firmament that we observe at night, the stars shine brightly, surrounded by a thick darkness. [...] What we perceive as the darkness of the heavens is this light that, though traveling toward us, can not reach us, since the galaxies from which the light originates move away from us at a velocity greater than the speed of light. To perceive, in the darkness of the present, this light that strives to reach us but can not- this is what it means to be contemporary."

—Agamben, G. (2009). What is an apparatus?: And other essays. Stanford, California: Stanford University Press.

Underscoring the collaborative scope of the Eroica project, Amobi conceived new garments in partnership with designer Karolina Widecka, and photographed for the exhibition by Marc Asekhame.

The scenography was designed under the direction of Maria Fontenele-Reis, with the generous support of the Milan-based furniture collective NM3’s loan of custom-designed pieces, and loans from the collection of Yves Marbrier and Liyu Yeo.

The artist would like to additionally thank Dan Demarre, Chichi Amobi, and Lilian Amobi.

—

Video Credits

Written and directed by

Nathan de Paz Habib

Photos in the exhibition are made by

Giovanni de Mojana

Starring

Chino Amobi

Shi Yang Shi

Delma Pompeo

Kal dos Santos

Benit Alagbe

Produced by

Fitzpatrick Gallery

Basement HQ

Executive Producer

Robert Okuda Fitzpatrick

Francesco Crespi

Cinematography

Andrea Munafò

Editor

Jacopo Ramella Pajrin

Music

Chino Amobi

John Utterback

Production Manager

Alice Bergamin

Visual VFX

0608

Sound Design

Andrea Sabbatini

Set Designer

Marco Monto

Set Designer Assistant

Adelaide Balsari

Costume Designer

Sara Pamio

While you’re in Le Marais

Map