Ingrid Luche

In project Dévoré, Ingrid Luche explores the links between artistic culture and objects affected by their production circuits, the image economy and network technologies. She asks how the deformation of our sensitive perceptions bears witness to our new lifestyles and modes of consumption.

Ingrid Luche’s research focuses on the sensitive perception of architecture and its reproduction through photographs and installations. Sometimes playing with the retinal persistence of places frequented or simply fantasized, her works constantly question our apprehension of spaces, notably by developing a form of intermediary temporality: a present that is no longer, a future that is already seen.

She develops a sculpture and installation’s work, related to the perception of space retouched by the memory. From the investigation to the reinvention of forms suitable for the citation of her sources, her works openly convoke those of the artists that nourish her projects Architectural, aerial or interplanetary spaces are then echoed in mediums that are familiar to us.

She has exhibited at Air de Paris, Paris (2019, 2015, 2011, 2007), at Ghebaly Gallery, Los Angeles (2018), at the Musée d’Art moderne de la Ville de Paris (2017, 1994), at the Triennale de Beaufort, Ostende (2015), at Von-der-Heydt-Museum Wuppertal (2014), at Vent des Forêts, Fresnes-au-Mont (2013), at the Transpalette - Centre d’art contemporain, Bourges (2006), at the Confort Moderne, Poitiers (2014, 2011, 2006, 2002), at La Salle de Bains, Lyon (2003), at Osl Kunsthall, Oslo (2002), at the BF15, Lyon (2001), at MAMCO, Genève (2000), at the CNAP Villa Arson, Nice (1997, 1995).