Yamamoto Masao

The emotional power of photography – and the ability of an image to evoke memories – is illustrated in an exhibition of new photographic work by Japanese artist Yamamoto Masao.

In his seventh exhibition with the gallery, Yamamoto captures intimate moments that become visual haiku, using a range of subject matter from the nude female body to wildlife he encounters in the Japanese countryside. His images, which at times can appear otherworldly, are inspired by the beauty of the natural world, overlooked details, spirituality, and Japanese aesthetic traditions. His ambrotypes of birds recall the genre of Japanese bird-and-flower paintings dating back to the 14th century.

To make ambrotypes, Yamamoto uses the collodion process – widely practiced in the mid-19th century – which requires the glass to be coated, exposed, and developed within a matter of minutes. Thus, the element of time is critical to Yamamoto’s process; he works quickly in the moment as the collodion is coagulating to realize an image, which is then forever fixed. The resolution of images produced by collodion, which serves as a photosensitive emulsion, has a quality that is no less than the high resolution of digital technology today.

As Yamamoto explains, “I apply collodion to a glass plate and capture the image before the plate dries. The transparency of

glass gives depth to the projected image. It is as if you are peering into a different world through a small window. The fluidity of the collodion shows me an accidental, unknown world. I feel the time has been rewound, and I am traveling back to the origin

of photography.”

Born in Gamagori-City, Japan, in 1957, Yamamoto is based in Yamanashi, Japan. His work has been exhibited in international

institutions including the High Museum of Art, Atlanta; George Eastman House, Rochester; Carrousel du Louvre, Paris; Galerie

de Moderne, Munich; and Museum of Photographic Arts, San Diego; Instituto Figueiredo Ferraz, Brazil; and Kiyosato Museum

of Photographic Art, Japan. Yamamoto’s photographs are included in the collections of the Victoria & Albert Museum, London;

Philadelphia Museum of Art; Museum of Fine Arts, Houston; International Center of Photography, New York; and the Sir Elton

John Collection, among others. His monographs include Bonsai: Microcosms Macrocosms, T&M Projects, 2019; Tori, Radius

Books, 2016; Fujsan, Nazraeli Press, 2008; “é” Nazraeli Press, 2005; Omizuao, Nazraeli Press, 2003; Nakazora, Nazraeli

Press, 2001; and A Box of Ku, Nazraeli Press, 1998.