Rochelle Goldberg

Included in the exhibition are welded steel constructions evoking rudimentary toilets, deflated pleather cushions, empty tuna cans in a variety of military-spec finishes, and ceramics whose surfaces bare the impression of synthetic snake skin. The objects are moments of petrifaction thrown off from a process of becoming. The eye, hand, and execratory orifices lose their verticality (according to the their arrangement on the human frame). Instead they cohabitate on a single plain, each becoming an instrument for knowing the unstable border - wherein the outer material molds to the contours of the space within.