Richard Smith

‘Richard Smith: Shaped Canvases 1966-72’ is the first solo exhibition in over 50 years dedicated to this important body of work by the British artist. The works on view not only reveal Richard Smith’s (1931-2016) astounding technical skill as a fabricator, but also his methodical approach to creating paintings as three-dimensional, physical objects. Light, colour and surface remained principle concerns in Smith’s shaped canvases, as well as retaining the essential frontal facing and wall-based character of each work. By this date his subject matter had shifted from external references, lifted from billboards and commercial adverts, to that of the formal qualities of painting itself.

In 1963 Kasmin Gallery held the first in a series of remarkable exhibitions showcasing monumental shaped canvases by Smith. A recent graduate of the Royal College of Art, Smith had only just returned to London after two years working in New York on the esteemed Harkness Fellowship. He had by this stage already gained significant critical acclaim for his largescale abstract paintings exhibited at the cutting-edge Green Gallery in New York. But it was these dramatic shaped canvases, made upon his return home and now exhibited at Hazlitt Holland-Hibbert, which truly confirmed his originality as an artist. It marked the start of a revelatory period lasting a decade in which he explored the limits of painting through the shaped canvas.

These paintings and works on paper reveal the surprising and inventive thought processes of a truly brilliant mind. Smith was always questioning and exploring, pushing his media to the limits of what was possible to produce dramatic, innovative and beautifully executed pictures.