Sayre Gomez

François Ghebaly is proud to announce X-Scapes, Sayre Gomez’s third solo exhibition with the gallery.

X-Scapes finds Sayre Gomez at the crossroads of image culture and urban reality in Los Angeles. Employing a multitude of trompe l’oeil painting techniques drawn from Hollywood set painting, commercial sign painting, automotive airbrushing, and other traditions, Gomez composes pastiched visions of Los Angeles. Despite their immediate familiarity, these cityscapes are often invented, fragmented or collaged together from stock photography, cell phone photos, and found imagery.

Gomez uses hyperreal painting as a means of investigating visual culture writ large. Los Angeles—a city overflowing with images in motion, images that sell and announce, images flickering through the windshield of a car—makes the perfect home for this investigation. Some works here depict cell towers as monumental totems against fantasmic sunsets, icons of disembodied digital communication. Others get to the grit of downtown streets, where the scale of LA’s housing crisis is made manifest. Doors, windows, walls and fences appear repeatedly as motifs, showing Gomez again and again returning the gaze to the unseen, the obstructed, and the overlooked.

The humble strip mall sign towers of Angeleno roadsides are the stars of a number of new paintings. A past-its-prime burger joint sign stands proudly in front of a cityscape illuminated by an explosive lightning storm in the distance. Gomez’s approach to trompe l’oeil paintings frequently adds a sculptural dimension to his canvases, wherein illusionistic surfaces like sticker-marred wood grain or vinyl covered glass begin to physically mimic the textures they depict. See, for example, two new video works in the exhibition in which illusionistically painted stickers lie on the surfaces of the video monitors, a mimesis that pairs pictorial representation with sculptural representation.

In X-Scapes, Gomez also flips this dynamic with a new series of sculptures modeled to look like yellow parking stanchions. Constructed from cardboard, foam, and plastic, Gomez paints these barrier poles to give them the weathered look and feel of aged concrete and steel. These works extend the pictorial exploration of Los Angeles’s streets into the physical space of the gallery, interrupting the flow of visitors and evoking the codes of the road that regulate movement through the city. Here as across the exhibition, Gomez builds constructed realities from the nearby and the familiar, conveying a powerful sense of place made strange.

Sayre Gomez (b. 1982, Chicago, USA) holds an MFA from the California Institute of the Arts and a BFA from the School of the Art Institute of Chicago. In the fall of 2019, his work will be exhibited at the Yuz Museum, Shanghai in an exhibition about the relationship between Hollywood and Los Angeles artists. Gomez’s works are held in the permanent collections of LACMA, Los Angeles; the Marciano Art Foundation, Los Angeles; Arsenal Contemporary, Montreal; and the Rubell Family Collection, Miami. The artist lives and works in Los Angeles, California.