Ended

Artists Need to Create on the Same Scale that Society Has the Capacity to Destroy

Apr 25 – Nov 24, 2019

Peter Acheson, Yasi Alipour, Shoja Azari & Shahram Karimi, Max Becher & Andrea Robbins, Emma Bee Bernstein, Louis Block, Lauren Bon, Katherine Bradford, Joe Bradley, David Brooks, Dana Buhl, Phong Bui, Bunny Burson, Julian Charrière, Chuck Close, Christian de Boschnek, Iran do Espírito Santo, Aleksandar Duravcevic, Cameron Gainer, Tamara Gonzales, Ron Gorchov, Justin Brice Guariglia, Newton & Helen Mayer Harrison, EJ Hauser, Alfred Jensen, Bill Jensen, Alex Katz, Benjamin Keating, Wolfgang Laib, Chris Larson, Eugene Lemay, Matvey Levenstein, Dean Levin, Margrit Lewczuk, Maya Lin, Chris Martin, Hans Meebush, Jonas Mekas, Cy Morgan, Loren Munk, Hans Namuth, Shirin Neshat, David Novros, Optics Division of The Metabolic Studio (Lauren Bon, Richard Nielsen, Tristan Duke), Renate Ponsold, Diane Pontius, James Powers, James Prosek, Nathlie Provosty, Joanna Pousette-Dart, Joyce Robins, Dorothea Rockburne, Ugo Rondinone, Cordy Ryman, Meyer Schapiro, Cindy Sherman, Amy Sillman, Arthur Simms, Kiki Smith, Sarah Sze, Kazumi Tanaka, Rirkrit Tiravanija, Daniel Turner, Tomas Vu, Merrill Wagner, Jack Whitten, Peter Lamborn Wilson, Lisa Yuskavage

Curated by Phong Bui and Francesca Pietropaolo, The Brooklyn Rail

Inspired by Lauren Bon’s text-based neon work on view in the courtyard—from which it borrows its title—this exhibition, together with its accompanying public programming 1001 Stories for Survival, addresses the environmental crisis in the age of climate change, with a focus on the Mediterranean Sea.

The show brings together 73 artists of different generations and cultural backgrounds whose selected works, in a wide range of media, invite critical awareness on the fragility of nature and human life while poetically invoking the regeneration of living systems. On view are works that meditate on themes such as ephemerality, transformation, and interconnectedness.

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