Rachel Rossin

Window Presentation

Rachel Rossin was born in 1987 in West Palm Beach, Florida.

Rossin is primarily a painter and programmer who has gained recognition for exhibitions that blend oil painting, sculpture, video and virtual reality. Her practice acts on the metabolism between physical and digital exchange, investigating the ways information and sensory experience are transfigured by each. Rossin’s research and work has received recognition in publications, such as, Art Forum, The New York Times and National Geographic; and has also been recognized at Prix Ars Electronica (2020); The Sundance Film Festival (2017); Massachusetts Institute of Technology, and Art21 (forthcoming).

Her work has been shown in both solo and group exhibitions, including, "The Sentinel (tears, tears)" at 14a in Hamburg, Germany (2020); "Stalking the Trace" at the Zabludowicz Collection in London, United Kingdom (2019); Tennis Elbow at The Journal Gallery in New York, New York (2019); "Recursive Truth" at DAATA Editions in New York, New York (2019); "Greasy Light" at Daemon Demon in Hamburg, Germany (2019); "Open World" at Akron Art Museum in Akron, Ohio (2019); "Peak Performance" at Signal Gallery in Brooklyn, New York (2017); "ARS17" at the Kiasma Museum of Contemporary Art in Helsinki, Finland (2017); "After Us" curated by Lauren Cornell at K11 Art Museum in Shanghai, China (2017); "Man Mask" an app-based installation for Rhizome and the New Museum (2017); and "Lossy" at Zieher Smith and Horton Gallery in New York, New York (2015).

Rossin has an upcoming solo exhibition at Magenta Plains in New York, New York in the spring of 2021.

Rachel Rossin lives and works in Brooklyn, New York.